After JMW Turner, my interpretation of The Lagoon near Venice, at Sunset, watercolour on Fabriano HP paper.

by Alan Bickley | 14th October 2023

After JMW Turner, my interpretation of The Lagoon near Venice, at Sunset, watercolour on Fabriano HP paper.

Study of Turner’s ‘Sunset’ – watercolour enhanced with pastel.

by Verity Franklin | 14th October 2023

Study of Turner’s ‘Sunset’ – watercolour enhanced with pastel.

A study of Turner’s ‘Snow Storm – Steam-boat off a Harbour’s Mouth in propelling pencil.

by Verity Franklin | 14th October 2023

A study of Turner’s ‘Snow Storm – Steam-boat off a Harbour’s Mouth in propelling pencil.

Fishing upon the Blythe-sand, tide setting in – by Turner. 8 x 8” Derwent Graphite and watercolour.

by Jeremy Scholes | 14th October 2023

Fishing upon the Blythe-sand, tide setting in – by Turner. 8 x 8” Derwent Graphite and watercolour.

Landscape with windmill, David Cox the elder 1783 – 1859. Tonal in Indian ink.

by Jeremy Scholes | 13th October 2023

Landscape with windmill, David Cox the elder 1783 – 1859. Tonal in Indian ink.

My Turner impression of The Confluence at Namur, based on his painting but with my own interpretation of the scene! Watercolour and Conte chalk on Two Rivers Turner Blue handmade paper.

by Alan Bickley | 13th October 2023

My Turner impression of The Confluence at Namur, based on his painting but with my own interpretation of the scene! Watercolour and Conte chalk on Two Rivers Turner Blue handmade paper.

My interpretation of John Sell Cotman’s “drawing.” (British Museum) HE used watercolour with graphite. I attempted watercolour.

by Lyn May | 12th October 2023

My interpretation of John Sell Cotman's "drawing." (British Museum) HE used watercolour with graphite. I attempted watercolour.

Here is my interpretation of Turner’s Venice looking east from the guidecca at sunrise 1819. It is painted with much delicacy and lightness of touch. Enjoy!

by Julian Lovegrove | 12th October 2023

Here is my interpretation of Turner’s Venice looking east from the guidecca at sunrise 1819. It is painted with much delicacy and lightness of touch. Enjoy!

Here is my watercolour interpretation of Turner’s Santa Maria de la Salute and the Dogana, with rockets. It’s a while since i have used watercolour, but i still love using them.

by Julian Lovegrove | 12th October 2023

Here is my watercolour interpretation of Turner’s Santa Maria de la Salute and the Dogana, with rockets. It’s a while since i have used watercolour, but i still love using them.

(Island of) Staffa, Fingal’s Cave, another of my ‘learning from Turner’ attempts, watercolour, gouache and Conte chalk on Two Rivers Turner Blue handmade paper.

by Alan Bickley | 12th October 2023

(Island of) Staffa, Fingal’s Cave, another of my ‘learning from Turner’ attempts, watercolour, gouache and Conte chalk on Two Rivers Turner Blue handmade paper.

Looking across a small lake

by Priscilla Gallop | 12th October 2023

Looking across a small lake

Turner’s Slave ship in oil pastels

by Andrew Lang | 12th October 2023

Turner's Slave ship in oil pastels

Conté crayon sketch of Tom Thomson ‘Approaching Snowstorm”. Reminded me a bit of Turner’s dramatic clouds.

by Rachel O’M | 11th October 2023

Conté crayon sketch of Tom Thomson ‘Approaching Snowstorm”. Reminded me a bit of Turner’s dramatic clouds.

Sketched at my local country park

by Priscilla Gallop | 11th October 2023

Sketched at my local country park

I love sketching outside with a very soft black pencil , preferably 14B I have always loved working in black and white you get such wonderful light that way

by Patricia Webb | 11th October 2023

I love sketching outside with a very soft black pencil , preferably 14B I have always loved working in black and white you get such wonderful light that way

Venice scene, watercolour loosely based on a JMW Turner sketch book painting.

by Alan Bickley | 11th October 2023

Venice scene, watercolour loosely based on a JMW Turner sketch book painting.

Another work with art graf On rock paper only with my fingers based based on Sophia Loth

by Bettina Groß | 11th October 2023

Another work with art graf On rock paper only with my fingers based based on Sophia Loth

plein air sketch bk No 4. Same view using charcoal. Not sure how successful, but perhaps useful if I take the group towards a studio painting.

by Anne Morrison | 11th October 2023

plein air sketch bk No 4. Same view using charcoal. Not sure how successful, but perhaps useful if I take the group towards a studio painting.

plein air sketch book No 3 – same view but in watercolour

by Anne Morrison | 11th October 2023

plein air sketch book No 3 – same view but in watercolour

plein air sketch No2. Sat with the same view on a very bright afternoon. Intense blocks again

by Anne Morrison | 11th October 2023

plein air sketch No2. Sat with the same view on a very bright afternoon. Intense blocks again

Im’ a bit behind the group so here are some plein air sketch book efforts in Charente, France. No 1. Used Inktense blocks with water, gouache, pencil

by Anne Morrison | 11th October 2023

Im' a bit behind the group so here are some plein air sketch book efforts in Charente, France. No 1. Used Inktense blocks with water, gouache, pencil

Storm at sea inspired by JMWT #acrylic

by Richard Ironside | 11th October 2023

Storm at sea inspired by JMWT #acrylic

Pencil drawing after Eric Ravilious watercolour – Wet Afternoon. It made me notice that there is not much tonal variation in this picture – I find all his work looks quite ‘Flat’ – but I do love them!

by JANE HALLMAN | 11th October 2023

Pencil drawing after Eric Ravilious watercolour – Wet Afternoon. It made me notice that there is not much tonal variation in this picture – I find all his work looks quite 'Flat' – but I do love them!

After Ivon Hitchens

by Richard Ironside | 11th October 2023

After Ivon Hitchens