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Château de Blois, Loire Valley c.1828–30 . My interpretation of a Turner painting – Some challenging detail in this piece, Turner Grey paper from Ruscombe Mill in France, watercolour and some body colour (gouache) as in Turner’s original work in Tate Britain.

Château de Blois, Loire Valley c.1828–30 . My interpretation of a Turner painting – Some challenging detail in this piece, Turner Grey paper from Ruscombe Mill in France, watercolour and some body colour (gouache) as in Turner’s original work in Tate Britain.

Château de Blois, Loire Valley c.1828–30 . My interpretation of a Turner painting – Some challenging detail in this piece, Turner Grey paper from Ruscombe Mill in France, watercolour and some body colour (gouache) as in Turner’s original work in Tate...
Here’s another attempt at a Turner, Shore and Sky, Sunset c1835 watercolour over pencil.
I don’t yet have the finesse that Turner had with watercolour, which I spent c15 years practicing with. I havent used it for the last 4 years, so i’m enjoying trying to remember how to work with them again.

Here’s another attempt at a Turner, Shore and Sky, Sunset c1835 watercolour over pencil. I don’t yet have the finesse that Turner had with watercolour, which I spent c15 years practicing with. I havent used it for the last 4 years, so i’m enjoying trying to remember how to work with them again.

Here’s another attempt at a Turner, Shore and Sky, Sunset c1835 watercolour over pencil. I don’t yet have the finesse that Turner had with watercolour, which I spent c15 years practicing with. I havent used it for the last 4 years, so i’m enjoying trying to remember...