by Lyn May | 11th November 2023
I used acrylics, as this is what I had, but experimented with only using palette knives of varying sizes/shape plus other mark making implements – bits of card/cut up credit cards, small plaster cleaning tool and a large household paintbrush. I did a very rough...
by Rachel O’M | 10th November 2023
two of two: oil painting of the same spot, from memory, a week later, 16” x20”….playing with mark-making using a flat brush and a round one. No palette knife this time.
by Rachel O’M | 10th November 2023
One of two: sketch done last week at a little beaver swamp I visited
by Ian McLaughlan | 10th November 2023
Life in the Outer Hebridees can be bleak. Large oil on cavas painted from a sketch on site with a good slice of added imagination!
by Rachel O’M | 9th November 2023
just playing around with the four blues I have at the moment; prussian, Ultramarine, pthalo and Indanthrone. mixed with white and terra rosa. totally unscientific. Mostly used a palette knife, as i have never really used one except to mix paint! On sketching paper....
by Jeremy Scholes | 9th November 2023
Playing with oils using brush and knives, The 50/50 linseed/zest it certainly loosens the paint and I found it difficult to control, but maybe that’s a good thing? I will see how long this takes to dry.
by Ian McLaughlan | 8th November 2023
Esherness is on the West Coast of the Shetland Mainland. This is a large canvas painted with acrylic. A gale was blowing when I was there so a quick sketch was made and the picture was then made in my studio. This type of subject makes for great fun when paintong as...
by Alan Bickley | 7th November 2023
A combination of painting knife and hog brush, oil on board 30x40cm
by Alan Bickley | 6th November 2023
I enjoy using painting knives, and I’ve used both brushes and a knife for this piece. I’ve used Wallace Seymour oil paints, on board, thinned with a 50/50 mix of linseed oil and Shellsol T.
by Julian Lovegrove | 6th November 2023
I have been using oils for 6 or 7 years and have always mixed my own medium, as you do. I paint approx. 150 oils each year mostly en plein air, so don’t use much medium, but I use it mainly to soften paint which has become a little dry and hard. Here is an oil of life...
by Bettina Groß | 5th November 2023
Acryl on paper
by Bettina Groß | 5th November 2023
Acryl on paper 40×50cm
by Bettina Groß | 5th November 2023
Acryl on Paper 30×40 cm
by Felicity Swan | 5th November 2023
I used Art Graf in sky and foreground.
by Felicity Swan | 5th November 2023
Art Graf – apologies, everyone – I was thinking of aquarelle pencils! There are different formats – pencil, big soft chunks (which go hard almost immediately but can be used as for the one in the little pot when water is added.
by Jeremy Scholes | 5th November 2023
After Benjamin William Leader ‘Haymaking’ with one of his great skies. Watercolour and ink 11” x 8”.
by Alan Bickley | 5th November 2023
Water’s Edge, my direct approach effort after Edward Seago, W&N watercolour block 11x15in.
by Alan Bickley | 5th November 2023
After Edward Seago, my own composition adopting Seago’s ‘direct approach’ to painting with watercolour, W&N watercolour block 11x15in NOT.
by Alan Bickley | 5th November 2023
My own style of this well known London landmark. Painted on a Jackson’s linen/MDF board using thinned down oil paint as an experiment, almost as I would apply watercolour. 40x50cm.
by Richard Ironside | 4th November 2023
Autumn woodland patterns, acrylics
by Alan Bickley | 4th November 2023
Western Downs towards the Castle, oil on board 50x60cm. My own style worked up from my plein air sketchbook drawings. Some attempt at a Constable sky!
by Felicity Swan | 3rd November 2023
I love Barbara Rae's sketches. Impossible to copy, but here's one. I have a feeling she might have used Aquagraf in her drawing, but I resorted to charcoal.
by jane gardiner | 1st November 2023
I'm really really behind, but did finally manage to do quite a lot of drawings when down in London last week, very much experimenting with materials, sketchbooks, what is possible for me to carry . . . . this is using a lavender daniel smith watercolour stick and...
by jane gardiner | 1st November 2023
I'm really really behind, but did finally manage to do quite a lot of drawings when down in London last week, very much experimenting with materials, sketchbooks, what is possible for me to carry . . . . this is pen and watercolour, of what I hope is an easily...