by Felicity Swan | 3rd November 2023
I love Barbara Rae's sketches. Impossible to copy, but here's one. I have a feeling she might have used Aquagraf in her drawing, but I resorted to charcoal.
by jane gardiner | 1st November 2023
I'm really really behind, but did finally manage to do quite a lot of drawings when down in London last week, very much experimenting with materials, sketchbooks, what is possible for me to carry . . . . this is using a lavender daniel smith watercolour stick and...
by jane gardiner | 1st November 2023
I'm really really behind, but did finally manage to do quite a lot of drawings when down in London last week, very much experimenting with materials, sketchbooks, what is possible for me to carry . . . . this is pen and watercolour, of what I hope is an easily...
by Richard Ironside | 1st November 2023
Awaiting storm Storm Ciaran
by Alan Bickley | 30th October 2023
After Edward Seago, my own composition but using a Seago palette, on a ground prepared as Seago did, rabbit skin glue etc…oil on board 40x50cm.
by Alan Bickley | 29th October 2023
Exercise in tonal value and counterchange, after Rowland Hilder, Indian ink and white gouache on Fabriano HP.
by Alan Bickley | 29th October 2023
After Rowland Hilder, Cley Windmill, Norfolk, watercolour on self-toned mount board 11x15in.
by Rachel O’M | 29th October 2023
Charcoal Sketch after Turner’s “Buttermere Lake….”
by Susan Goodridge | 29th October 2023
Wet Garden – pre oil painting drawing using XL Derwent Graphite, 04 Burnt Umber, 03 Raw Umber, Chalk, Charcoal, Water Colour Palette
by Lyn May | 29th October 2023
Using larger brushes to try to loosen up. Watercolour – Hunworth.
by Lyn May | 29th October 2023
Sketch with 0.25 Rotring pen. I enjoy using it because I can't get too tight with my drawing.
by Lyn May | 29th October 2023
First of two sketches at Mannington Estate
by Julian Lovegrove | 29th October 2023
This is in my own style, of a Cornish crabber, sailing vessel spotted at Littlehampton last summer. I don’t know why, but it just grabbed me. This is in oils, and is in my exhibition ‘The call of the Sea’ opening next week. I hope you like it.
by Julian Lovegrove | 29th October 2023
Here is my homage to Camile Corot, an artist I admire immensely, this is from his view over Florence, Italy. I painted it in oils but left out the ‘monk like characters. I have stood at the same spot in the Boboli gardens, a few years ago and enjoyed the...
by Anna Cahill | 28th October 2023
Study – Etel Adnan – Untitled #114 – oil pastels
by Anna Cahill | 28th October 2023
Study – Etel Adnan – Untitled (landscape) 1988 – oil pastels
by Anna Cahill | 28th October 2023
Study/Etel Adnan – Landscape 2014- pastels
by Lyn May | 28th October 2023
Ravilious' paintings include the mark making that I enjoy and admire so much in his wood engravings. My own "after" Ravilious is from a drawing I did on the South Downs.
by Lyn May | 28th October 2023
I admire the tonality of Whistler's paintings. Attempting it myself with watercolour and ink I realise just how hard it is to achieve. But fun trying.
by Lyn May | 28th October 2023
Quick sketch on the way to Wighton
by Alan Bickley | 28th October 2023
The Path to the River, plein air watercolour with charcoal pencil, A4 Two Rivers sketch book.
by Jeremy Scholes | 28th October 2023
Watercolour 11” x 8” of Philip Jamisons ‘Shellers place’. Known for his subtle skys.
by Jane Stead | 27th October 2023
Weathercote cave by John Piper. Two quick sketches in coloured chalks. I allowed myself five minutes per sketch and chose one bit of cartridge paper and one bit of card from old packaging The latter was better!
by Richard Ironside | 27th October 2023
Hot Day in The Valley …..oils